Diary

This diary started in 2018 as a way for me to focus on scenography in a hectic academic context. The task was to write something every day, no matter how tired I was. The resulting scenographic poetics is still with me. Work is not lost. August 1, 2023, I decided to write diary posts again, because scenography research needs dedicated awareness, in terms of langue, outreach, and - why not - love. 

Circle again

09.10.2018

Day 54. Meeting about the exhibition. The scenographing sircle on the floor cannot happen and I we will instead have a "vision monter" with the ideas we developed. Hopefully som activism can be inspired from that.

Day 53. Ahhh - INSCRIPTION, new book to read and move with, make with, live with in relation to scenography, scenographics and scenographing. Passion and pain... Karl-Magnus Johansson just gave the book to me. Thrilled. More here: https://www.mottodistribution.com/shop/inscription-14174.html )

Day 52. Linking expanded archives with re-imagined scenography. All of a sudden I remember Amelia Jonas, som I return to Performing Archives - Archives of Performance. There it is, so I quote her (again):

Day 49. Working on my chapter for the Scenography and Art History book. I often hear music when I write, or on way to writing. Music holds the idea together, and I feel it in my body. I hear "crawl all over me", powerful voice. Later I realize, its wrong and it should be "walk all over me". I...

Day 48. Been nice. Attended a seminar. Devouring useful stuff for future teaching. A red square! So thriling with scenographic stained glass and community frictions. Some quite lovely and useful examples of new arty-magical windows in churches:

Day 47. I am dreaming up a large scale picture of jazz dancers, early 1970's, Marchant Dance Theater (first called Gothenburg Modern Dance Ensemble) in Gothenburg. Claude Marchant 1919-2004, is no longer with us, but Bo Westerholm is. The legacy is alive, I call, and Bo is in his car, busy as always. Yes, he will look in his...

Day 46. In the archive, looking up so called 'free culture' (independent culture and art). Documents about regulations and money. Applications for funding to buy a car, a device much needed for outreaching theatre groups. No dance. No bodies. Archive as a prison of sorts. And what is outside it, in bodies and memories? My actions slowly activate...

Day 45. After the DWYS workshop. Exchange of links, work, thoughts over the email. Some unexpected scenographic realms open up for further explorations. Here a reconstruction of poems and sound experiments from the Russian avantgarde in the beginning of the 1900: Symphony of the Sirens:...